(no subject)
Mar. 8th, 2004 09:55 amI went to see Broken Social Scene, the Stills and Raising the Fawn at Louis' bar last night with my friend Erin and her brother Colin. I haven't been to a show for a long time. Apparently a lot of Louis' shows are now all ages. I didn't find that out until later, but once I did, it made a lot of sense. It explained why I was constantly getting id-ed, and why everyone looked so young. I'm 27, but can pass for about 20, so I tend to get id-ed a lot.
There were a lot of people in the audience that I knew or recognized. It always feels weird to see so many familiar faces. It's like the three years that I lived away from here were just a strange dream.
Anyway, Raising the Fawn was mediocre. The Stills were good and I really liked Broken Social Scene. I hadn't actually heard them before, but I liked some of the Jason Collett stuff I'd heard, and I love Metric. None of the BSS women came out on the trip. Some of BSS's stuff is so orchestral and mellow that it made me want to lie down on a bed with a nice, um, thing you can smoke.
I guess the last time BSS was here, there were only 30 people in the bar. It was probably -40. We made up for it last night though, as the place was packed.
Since I've spent a lot of time with bands in the past, I have to wonder how BSS makes money and has rehearsals. They have such a huge group and splitting their money so many ways means they make very little. I guess that's why they have to have be a collective and why everyone else is in another band. It's just not very feasible from an economic perspective.
There were a lot of people in the audience that I knew or recognized. It always feels weird to see so many familiar faces. It's like the three years that I lived away from here were just a strange dream.
Anyway, Raising the Fawn was mediocre. The Stills were good and I really liked Broken Social Scene. I hadn't actually heard them before, but I liked some of the Jason Collett stuff I'd heard, and I love Metric. None of the BSS women came out on the trip. Some of BSS's stuff is so orchestral and mellow that it made me want to lie down on a bed with a nice, um, thing you can smoke.
I guess the last time BSS was here, there were only 30 people in the bar. It was probably -40. We made up for it last night though, as the place was packed.
Since I've spent a lot of time with bands in the past, I have to wonder how BSS makes money and has rehearsals. They have such a huge group and splitting their money so many ways means they make very little. I guess that's why they have to have be a collective and why everyone else is in another band. It's just not very feasible from an economic perspective.